Hyde Indoor Market Artwork

Last year, myself and fellow artist Richard Dawson were commissioned by Tameside Metropolitan Borough Council (TMBC) to create some artwork for Hyde Indoor Market.  The aim of the commission was to increase knowledge and awareness of the market – we worked with the market tenants to come up with a design and concept and worked with local community groups to produce some of the artwork.

The final design is a sign that says ‘Hyde Indoor Market’, with each individual 3D letter depicting something sold within the market.  The letters are a mixture of box frames containing various items, are clad in objects or have graphics applied to their surface.

This is the letter N, which depicts the ladies wear, menswear, footwear and jewellery stalls with an illustration of a wardrobe and the items contained within.  The images show the first pencil drawing of the wardrobe and the inked-in versions and then the final one, which was scanned in, cleaned up in Photoshop and then colour rendered in Illustrator.  The final letter has a wood effect finish on the sides, with a printed vinyl applied to the front with the illustration on.

Illustration wardrobe

Illustration wardrobe Hyde Indoor MarketIllustration wardrobe completed Hyde Indoor Market

Garden design course completed

I’ve handed in the final garden design for my course so fingers crossed it passes the test!  I’ll post a picture once I work out how to scan an A1 drawing.  In the meantime, here are some tree graphics I’ve been practicing drawing – I like the simple styles the best.

Garden Design - Tree Graphics

Linocut – first attempt!

Here’s my first attempt at a linocut.., though to be honest, it was on japanese vinyl, which is a whole lot easier to cut.  Next attempt is a reduction lino of the same image – hmmm – wish me luck!

Lino cut print - Mossley Houses

It’s all gone course-tastic at Symons Towers

I’m busy doing two courses at the moment (see previous three posts) and am rushed off my feet trying to squeeze in all the work from the annual ‘its the end of the financial year and you have to finish this project now!’ rush.  So blogs-a-plenty to come but for the meantime, I’m going to stick to what I’m doing on my two brilliant, if a bit disparate, courses: ‘Advanced Certificate in Garden Design’ and ‘The Complete Printmaker’.

Week Two and Three on The Complete Printmaker looked at Drypoint and Carborundum.  I discovered a love of dremelling to make my drypoint plates.  Here’s a couple I produced of some sea birds – the Avocet and the Sanderling.  I’ll post the actual prints once they’ve dried off – they’re very similar (but the other way round!).

Drypoint of Avocet created using dremel with engraving bit

Drypoint of Sanderling created using dremel with engraving bit

Line drawings of my cameras

As part of my printmaking course, I’m creating a series of prints of cameras using different techniques.  As we started the course with trace monoprinting, I got into doing line drawings of the cameras I own and now I can’t seem to stop.  Here are a few of them.  I’ll post the actual prints once completed.

Line drawing Praktica Novex KAF Camera

Praktica Novex KAF

Line drawing Panasonic Lumix FS-14 Camera

Panasonic Lumix FS-14

Line drawing Boots Disc 415 Camera

Boots 415 Disc Camera

Line drawing Canon Ixus 430 Camera

Canon Ixus 430

Garden Design – Elevations

As part of my garden design course (which finishes in 3 weeks), we have to include an elevation of the garden we have designed.  On Friday, I finally forced myself to attempt one and here it is.  It’s not the final version as there are a few errors but definitely good to practice.  Check out my ‘colour rendering’ techniques too (yes, that is design speak for colouring in!).

Also, note the sudden appearance of trees in the background on the colour version.  The garden (and surrounding gardens) have a backdrop of mature woodland and I think the inclusion of these in the elevation just adds a bit more depth.

Garden Design Elevation - before colour rendering

Garden-Design-Elevation-

The Complete Printmaker – Week One

I’ve just started a year long printmaking course called The Complete Printmaker at Hot Bed Press in Salford.  Over the duration of thirty weeks we’ll be covering lots of different printmaking techniques and I’m hoping to learn lots about how to get better results and how to ink up plates properly!

Here’s my trace monoprint (or monotype) from week one.  It’s from a collection of drawings I’ve just started of all the cameras I’ve ever owned.  Below is the original drawing I made the monoprint from. Next week – Drypoint.Camera Olympus OM20 Monoprint

Camera Olympus OM20 Drawing

Hyde Park Community Orchard Mosaics

Toad mosaic

Toad

I’ve only just got round to photographing (and uploading) some of the finished mosaic elements from the Hyde Park Community Orchard public artwork.  The insects, birds and animals shown here are just a few of the mosaics created for the seating, wildlife discovery trail and pathway to the Orchard, all contained within an apple pip shape that formed a connecting element throughout the artwork.

Wasp

mosaic-swift

Swift

mosaic-red-admiral

Red Admiral Butterfly

mosaic-nuthatch

Nuthatch

mosaic-greenfinch

Greenfinch

mosaic-bee

Honey Bee

Printout at The Point, Doncaster

printout-deutzia-rosea

My monoprints are currently part of an exhibition called ‘Printout’ at The Point in Doncaster.  Alongside three other artists, the exhibition looks more closely at some of the different print processes and how you get from the initial idea to the finished piece.  Other types of printmaking included in the exhibition are linocuts, collagraphs and etching.  The linocuts by Graham Firth are a particular favourite – the detail in them is amazing.

printout-gallery

In the exhibition I included the glass I use for inking on (you can see it on the extreme left of the above image).  It is a very messy and ‘covered in ink’ piece of glass but beautiful in it’s own right.  I now use the clean side to ink on but have the pattern from previous leaves showing through as I work.

printout-glass-detail

As part of the exhibition, I have done a couple of workshops at the Gallery – one with a group of adults and one Saturday drop-in workshop with children and their parents, where we created a big leafy tree as part of the exhibition.  Here’s a close-up of some of the prints the children made.

printout-workshop