I’m (well, I was when I wrote this two days ago) in Halifax (not that one, the one in Canada) waiting for my flight home to the UK after a month spent at Kingsbrae Residency for the Arts in St. Andrews, New Brunswick. Time spent in such a beautiful place has had a profound effect on my soul, whilst I’ve also had the rare chance to dedicate a complete month to my printmaking practice.
Alongside four other artists, I was selected from over 250 applicants to spend July here housed in a restored New Brunswick mansion with a dedicated studio on site and next to Kingsbrae Botanic Gardens, of which I had full access to, to develop my artwork.
Whilst spending a whole month solely creating monoprints has been intense and hard work, it has also allowed me to have a continuity to my practice which has meant my technique has improved, I’ve been able to experiment with different styles and have been re-inspired to ‘do’. I’ve also had the chance to connect with the St. Andrews art community, which is an extensive and engaged group of people.
The best and most special part of the residency has been the chance to spend time with and get to know the four other artists – generous, talented, funny and wonderful – I have made four new friends for life – thankyou.
Oh, and seeing over 20 humpback whales surrounding our boat, blowing air, tail-slapping and breaching was pretty amazing too…
Natural:History (a fable of progress) or, ‘oh no, we’ve killed the last unicorn’
So – a belated post about my three-month exhibition at Gallery Oldham, in which Richard Dawson and myself presented a series of works exploring the era of the Anthropocene, questioning humankind’s impact on, and changing relationship with, the natural world from the 19th Century to the present day.
Currently Climate Change caused by Anthropogenic Global Warming (AGW) presents an extreme threat to life on our planet and this, combined with loss of biodiversity, habitat destruction and pollution were issues explored in this exhibition.
We each presented a series of artworks that, whilst varied in style and technique, all aimed to highlight these themes, and engage people in thinking about and exploring them further.
I aim to do a post (or at least photos) of each of the pieces I created. However, the works I was most pleased with were:
The Denial Machine (an ode to lying) Or, ‘are 97% of scientists wrong?’ a vending machine that spat out RIDICULOUS quotes from climate change deniers
Splendour awaits in minute proportions (The Dovestone Doomsday Vault) Or, ‘272 seed specimens displayed by colour’ a seedbank of a local beauty spot
The Greatest Hoax Ever Perpetrated (The Drowned World) / (The Death of Grass) / (Earth Abides) a triptych of dioramas with classic science-fiction titles presented as reality from a dystopian future following climate change
We got some great feedback and a rather lovely review from Robbie di Vito at Corridor 8 that says everything we wanted to say about the exhibition far more eloquently than I ever could – it’s here
The Absence of Nature
The printing, upholstering and final result of ‘The Absence of Nature’ chairs. The blue chair, entitled Chair (The Presence of Nature) Or, ‘Life’ is upholstered in a six-colour screenprinted fabric. The white chair, entitled Chair (The Absence of Nature) Or, ‘this should be an empty space on a plinth, though the plinth wouldn’t exist without nature either…’ is upholstered in a single colour screenprinted fabric.
The piece is meant to highlight the beauty, detail and intricacy of nature against the bland, colourless state of the alternative, exploring biodiversity and the loss of nature.
The fabric was developed during my AA2A residency at UCLan in Preston.
Gallery Oldham Residency
Next month, I’ll be completing a residency at Gallery Oldham and creating work in response to one of their upcoming exhibitions ‘Art Forms in Nature’ which opens in mid-October. The exhibition, touring from the Hayward Gallery, features work by Karl Blossfeldt and I am using his images as inspiration for an installation of weird and wonderful plants made out of paper.
For the second part of the residency, I will be offering drop-in workshops to add to the installation – making oversize blooms out of paper, using lots of different techniques such as origami, paper cutting and folding.
The event and workshops, called Nightshade, are also part of the Manchester Science Festival – there’s lots of different things to see and do during the ten day event – have a look at the programme here.
I’ve been doing some test pieces for the installation, concentrating on creating poisonous, carnivorous and parasitic plant forms.
Animating Lordship Lane
I’ve just finished a commission for arts event ‘Animating Lordship Lane’ in East Dulwich, London organised by Fantasy High Street. ‘Mille Fleurs’ was a curtain of suspended paper flowers, for the window of a fragrance shop called Roullier White, which moved and rotated in the breeze to create interest and animation in the window. I also ran a paper flower making workshop during the event, whereby we made tissue paper flowers, origami flowers and origami butterflies.
Most of the flowers for the ‘Mille Fleurs’ commission were created from thick watercolour paper, stamped and laser cut into various shapes and then hand rolled to create the curve of petals. Other flowers were created from floristry crepe paper (a much thicker crepe paper than normal) which allows for a lot of stretch and shaping to create delicate petals and flowers.
Thanks to Miriam from Roullier White for the fantastic photos!
It’s all Bentley’s fault…
Following last year’s project for Bentley Library where I worked with local groups to create a community library chair, I’ve been itching to have a go at making/upholstering another one. So, for a recent exhibition at Hot Bed Press, I decided to create some screenprinted textiles for a new piece of work in the shape of a Parker Knoll armchair.
‘Infestation’ is upholstered in silk, hand screenprinted with hundreds of beetles which appear to be crawling out of the chair. Each piece of material features an individual design created from my drawings of beetles. There are about 100 different species of beetle in the surface design from the Javan Fiddle Beetle (Mormolyce phyllodes) to, my favourite, the Long-Necked Shining Fungus Beetle (Datelium wallacei) – you can’t beat that for a name. The chair also has it’s very own beetle legs, brilliantly made by Arbarus.
The work is part of an ongoing series in which I’ll be exploring chairs and similar products, questioning their form and usability (does a chair have to be functional to be a chair?) and reimagining the original design and finish to manipulate reaction and perception.
To create this installation piece I firstly used Photoshop to generate full-size artwork from scans of my beetle drawings, which I then turned into screenprints. I created individual screens for both the fill colour and the key layer (the final line). I’d pre-cut and labelled the individual pieces of silk for the upholstery so I could control which part of the pattern was on each part of the chair. Once the fabric was printed, I set about upholstering!
Drawing for screenprinting
It seems like I’ve been permanently sat at my drawing board for the last month trying to get lots of drawings done for some new screen prints. These are to add to the highly detailed urban series I started in 2014 but this time I’ve created more of the large-scale drawings rather than just the small pieces. They’re approximately 500mm wide with variable heights.
I’m really pleased with them but being bigger means that they take MUCH longer to draw – and the pressure is on not to get anything too wrong! Ho hum – I’m working my way through the Desert Island Discs back catalogue and have listened to Grayson Perry’s Reith Lectures again (which are just brilliant – I wish I was that eloquent!).
Here are some of the drawings finished and ready to be exposed onto screens ready for printing. I use the Staedtler Pigment Liner 0.05 and the Copic Multi Liner 0.03 for drawing. The Copic is the only one I have found in 0.03 and is brilliant as both nib and ink cartridge are easily replaceable (you get through a lot of nibs at this size). However, the Staedtler is my favourite – I haven’t found a better disposable pen in 0.05mm (I think I’ve tried them all!) and now buy boxes of 20 at a time.
Abirdabode in Oldham Library
As part of the Abirdabode Exhibition, myself and Richard Dawson couldn’t resist creating some of our own art bird boxes. We got so carried away we couldn’t fit them all into the Gallery as part of the main exhibition so came up with a sneaky plan to install them into the library downstairs.
Having got the go ahead from Oldham Library, who were brilliant and completely open to our weird requests, we spent an afternoon installing the boxes on the shelves in the main library. The ten boxes have now formed an art bird box trail amongst the books and the only clues to find them consist of Dewey Decimal numbers and subject headings.
The Abirdabode Exhibition at Gallery Oldham
On 14th March, Richard Dawson (Arbarus) and myself launched the Abirdabode Exhibition at Gallery Oldham. The exhibition celebrates eight months of hard work by various groups across Oldham to create art bird boxes* and showcases these bird boxes alongside the Art Bird Flock, which was created at public drop-in sessions over the last year. Almost 250 people attended the launch and was a great success – people seem to really love the art bird boxes and we got a lot of great comments and feedback.
All of the bird boxes created have been made to the BTO’s (British Trust for Ornithology) recommended guidelines and following the exhibition, will be installed around Oldham to become the Oldham Art Bird Box Trail.
The groups we worked with included the Dove Stone Youth Rangers, the Barrier Breakers, Grassroots Community Project and Age UK Oldham.
Dove Stone Youth Rangers (DSYR) are a group of young people from Oldham aged 11-19 years and meet every Sunday to plan and participate in activities focused on the environment and the outdoors. The Dove Stone Youth Rangers created their bird boxes from concept right through to finished product, drawing plans, making macquettes, using power tools and bandsaws to create the nest boxes. They also spent several (chilly) sessions in my workshop painting and decorating their bird boxes ready for the exhibition.
The Barrier Breakers are a group of young people supported by Oldham Integrated Youth Service and gives young people the opportunity to have fun with friends whist working on issues that affect children and young people with additional needs. The Barrier Breakers came up with their own ideas and themes then created their bird boxes from kits of parts, using power tools to construct their boxes and also cut out wooden detailing for individual designs.
The Grassroots Community Project is a community orchard and allotment and supports adults with additional needs and young people excluded from education. We worked with Grassroots to create the ‘Andy Abode, a large-scale bird box created from reclaimed and re-purposed materials. The group created the bird box from scratch, constructing the frame, creating the different claddings for each side and also building a sparrow hotel to be installed on the inside. Following the exhibition the ‘Andy Abode will return to Grassroots and will be used as a shed and storage for Andy, who works there.
We also worked with a group from Age UK Oldham to decorate some bird boxes. The group created a ‘terrace’ of boxes with each one representing a redbrick house, complete with windows, doors, chimneys and even a TV aerial. Though they didn’t make the exhibition launch, Age UK Oldham organised a special trip to Gallery Oldham so the artists could see their creations. We met them there to show them round and indulge in a spot of tea and cake at the Naked Bean Cafe.
All in all, a fantastic launch of the Abirdabode Exhibition, which runs from now until 2nd May 2015 at Gallery Oldham. If you’d like to know more about abirdabode have a look at the project website here. We are also asking for people to nominate locations for the bird boxes once the exhibition is completed. The location should ideally be in the Oldham Borough and be a ‘community’ space or organisation, a school, a public park, allotments or gardens for supported housing etc. Please email hello@abirdabode.co.uk for further information or to nominate a bird box location.
Here’s just a few of the bird boxes made during the project…
Being A Freelance Artist 