It seems like I’ve been permanently sat at my drawing board for the last month trying to get lots of drawings done for some new screen prints. These are to add to the highly detailed urban series I started in 2014 but this time I’ve created more of the large-scale drawings rather than just the small pieces. They’re approximately 500mm wide with variable heights.
I’m really pleased with them but being bigger means that they take MUCH longer to draw – and the pressure is on not to get anything too wrong! Ho hum – I’m working my way through the Desert Island Discs back catalogue and have listened to Grayson Perry’s Reith Lectures again (which are just brilliant – I wish I was that eloquent!).
Here are some of the drawings finished and ready to be exposed onto screens ready for printing. I use the Staedtler Pigment Liner 0.05 and the Copic Multi Liner 0.03 for drawing. The Copic is the only one I have found in 0.03 and is brilliant as both nib and ink cartridge are easily replaceable (you get through a lot of nibs at this size). However, the Staedtler is my favourite – I haven’t found a better disposable pen in 0.05mm (I think I’ve tried them all!) and now buy boxes of 20 at a time.
I’ve just handed in my completed screenprint for the Hot Bed Press 2014 ’20:20 Print Exchange’. The 20:20 Print Exchange is a yearly event whereby printmakers are invited to produce a print measuring 20 x 20 cm in an edition of 25. You then submit your prints to Hot Bed Press and an army of volunteers (including me today!) sort them into boxes. Every entrant gets a box of prints back randomly chosen from the thousands available. Last year 585 artists took part producing 14,625 prints between them.
My print this year uses some drawings taken from my Clarendon Square Shopping Centre workshops whereby young people drew their houses for a larger piece of artwork. I scanned these drawings into the computer, tweaked them (a little!) and created a five colour screenprint called ‘Houses of Hyde’.
I’m pleased with the result especially as I wanted to experiment with using overlays of colours to create further colours and it worked really well. I also continue to use ‘Frisk’ Film for the stencils rather than the more traditional paper / newsprint. Frisk Film doesn’t buckle and concertina on the screen so colour registration is much easier and more constant.
I’m going to give the school an artist’s proof of the final screenprint as a thankyou!